diff --git a/script.html b/script.html
index a8e4e6d..c2d7c4f 100644
--- a/script.html
+++ b/script.html
@@ -148,6 +148,13 @@ function shotHtml(s, locked) {
           : '')
       + (locked ? '' : '<button type="button" class="btn ghost" data-broll="' + s.index + '" style="margin-top:10px">'
           + (s.broll_url ? 'Remake cutaway' : 'Make cutaway') + '</button>')
+      // The subject is the writer's guess at what the line is about, so the
+      // picture it draws is hit and miss. Making and remaking were possible;
+      // throwing one away was not, which left a wrong image in the film with
+      // no way to take it out.
+      + ((locked || !s.broll_url) ? ''
+          : '<button type="button" class="btn ghost" data-brollrm="' + s.index + '" '
+            + 'style="margin-top:10px;margin-left:8px">Remove cutaway</button>')
       + '</div>';
   }
 
@@ -191,12 +198,23 @@ function stageOf(st) {
   return 1;
 }
 
-function stepper(stage, view) {
+// How far the stepper may be CLICKED, as opposed to how far the project has
+// got. Approved means the words are settled and filming is the next thing to
+// do, so the Filming step has to be reachable - it is where the button lives.
+// Until this existed the only way to start a film was a button at the bottom
+// of the Layout page, below the shot cards and the photo uploader.
+function reachOf(st) {
+  if (st === "approved") return 3;
+  return stageOf(st);
+}
+
+function stepper(stage, view, reach) {
+  if (reach === undefined || reach === null) reach = stage;
   return '<div class="steps">' + STAGES.map(function (n, k) {
     var i = k + 1;
     var cls = i === view ? "on" : (i <= stage ? "done" : "");
     return '<button type="button" class="' + cls + '" data-stage="' + i + '"'
-      + (i <= stage ? '' : ' disabled') + '>' + i + ' &middot; ' + esc(n) + '</button>';
+      + (i <= reach ? '' : ' disabled') + '>' + i + ' &middot; ' + esc(n) + '</button>';
   }).join("") + '</div>';
 }
 
@@ -498,15 +516,22 @@ function render(r) {
       + 'go straight to filming.</p>'
       + '<h2 class="sec">Hear it first</h2>'
       + '<div class="card" id="pzcard">'
+      // "A hundredth of a cent" was wrong by three orders of magnitude. A
+      // measured run of an 80s script came back at 15.89 cents - the
+      // ElevenLabs rate is 22 dollars per 131,000 characters.
       + '<p class="foot" style="margin:0 0 14px">Filming costs real money; speaking the '
-      + 'words costs about a hundredth of a cent. Run it through in your pet&rsquo;s voice '
+      + 'words costs a few cents. Run it through in your pet&rsquo;s voice '
       + 'over the opening stills first, and only film once the timing and the jokes land.</p>'
       + '<button type="button" class="btn ghost" id="pzmake">Speak the script</button>'
       + '<button type="button" class="btn" id="alignbtn" style="margin-left:8px">Cut it to the clock</button>'
       + '<span class="foot" style="margin-left:12px" id="pznote"></span>'
-      + '<p class="foot" style="margin:10px 0 0">Cutting to the clock speaks the whole piece once, '
-      + 'measures where every word actually falls, and moves the shot boundaries to real word '
-      + 'endings. It rewrites how the lines are divided &mdash; not the words themselves.</p>'
+      // It no longer moves anything. Setup shots does the division, locally
+      // and for nothing, at the performing engine's own measured rate. This
+      // reads the result back so you can hear it and check the timing.
+      + '<p class="foot" style="margin:10px 0 0">This speaks the whole piece once and measures '
+      + 'where every word actually falls, so you can check the timing against the shots. '
+      + 'It does not move the shot boundaries &mdash; Setup shots, on the words page, does '
+      + 'that in code at the engine&rsquo;s own measured rate.</p>'
       + '<div id="alignout" style="margin-top:14px"></div>'
       + '<div id="pzout" style="margin-top:16px"></div>'
       + '</div>'
@@ -520,7 +545,7 @@ function render(r) {
     body = head + post + film;
   }
 
-  out.innerHTML = cams + stepper(stage, VIEW) + body;
+  out.innerHTML = cams + stepper(stage, VIEW, reachOf(p.status)) + body;
 
   wire(locked);
 }
@@ -1160,11 +1185,19 @@ function bindAlign() {
       + 's filmed, against ' + bought + 's of shots.</p>'
       + (r.audio ? '<audio controls src="' + esc(r.audio) + '" style="width:100%;max-width:420px"></audio>' : '')
       + (r.shots || []).map(function (s) {
-          var fit = Math.abs((s.filmed || 0) - each) <= 1.2;
+          // Under the clock is FINE. The engine finishes the line and waits -
+          // measured, Omni "barely stretches, it finishes early". Only an
+          // OVERRUN is a problem, because that is cut off mid-word.
+          //
+          // This used to flag anything more than 1.2s from the clip length in
+          // either direction, so a 7.0s line in a 10s shot was marked exactly
+          // like a genuine 11.4s overrun, and sent people rewriting lines that
+          // fitted perfectly well.
+          var over = (s.filmed || 0) > each + 0.3;
           return '<div class="foot" style="padding:6px 0;border-top:1px solid var(--line)">'
             + 'shot ' + s.index + ' &middot; ' + (s.start || 0).toFixed(1) + '-'
             + (s.end || 0).toFixed(1) + 's spoken &middot; ~' + (s.filmed || 0).toFixed(1) + 's filmed'
-            + (fit ? '' : ' <span style="color:var(--accent2)">off the clock</span>')
+            + (over ? ' <span style="color:var(--accent2)">runs long</span>' : '')
             + '<br>' + esc(s.line || "") + '</div>';
         }).join("")
       + (filmed < bought - 1.5